SixStrongHands

EVERYTHING IS AWESOME
art, science, writing, fashion, knitting, monsters, history, and esp Daniel Pinkwater... I love it all×+×+×
(my other blog is: I Love My Transgender Child)

Annihilation was amazing. A.Maz.Ing.

I’m outside trying to deal with my dog and his upset tummy, so I’m can’t write about this movie in the way I want lol but I can’t stop thinking about it and will write more later.

I just cannot get over this film. Has anyone read the book? Is it worth reading? I don’t want anything to take away from how much I love the movie and how mind blown I am, but maybe the book is even better? I read a two book scifi series years ago by an Australian author, cannot remember the name, but parts of those books were similar to Annihilation, esp the genetics and botany stuff. I’ll look them up later, too. So happy about this.

Reblogged from knithacker

knithacker:

‘Decomposition’ Series Knitted By Fiber Artist Leigh Martin aka Bromeleighad https://buff.ly/2C5R997 

photos-of-space:
“A direct image of a solar system being born in the Orion Nebula, 7,500 light-years from us. The entire disk is 53 billion miles across, or 7.5 times the diameter of our solar system.Picture source:Hubble Space Telescope
”

Reblogged from v-lagopus

photos-of-space:

A direct image of a solar system being born in the Orion Nebula, 7,500 light-years from us. The entire disk is 53 billion miles across, or 7.5 times the diameter of our solar system.Picture source:Hubble Space Telescope

Reblogged from counterpunches

(Source: dailybenleslie)

wehadfacesthen:
“Maria Tallchief, 1963, first Native American prima ballerina, in costume for The Firebird, photo by Jack Mitchell. She was born in Oklahoma (Osage name: Ki He Kah Stah Tsa) but moved with her family to Los Angeles to see if she and...

Reblogged from moniquill

wehadfacesthen:

Maria Tallchief, 1963, first Native American prima ballerina, in costume for The Firebird, photo by Jack Mitchell. She was born in Oklahoma (Osage name: Ki He Kah Stah Tsa) but moved with her family to Los Angeles to see if she and her sister Marjorie could be dancers in the movies. She was cast in Presenting Lily Mars, a Judy Garland vehicle, but she didn’t enjoy the work. At age seventeen she moved to New York and got a job with the Ballet Russe de Monte Carlo (which, despite its name, was by that time an American company) because she could dance but also because she had a passport. Many of the dancers with the Ballet Russe were Russian emigrants without passports who therefore could not tour in other countries. Later, performing in New York, the Times’ critic noted, “She has an easy brilliance that smacks of authority rather than bravura.“

fuckyeahwomenfilmdirectors:
“  Sarah Polley b. January 8, 1979
Polley was born in Toronto, the youngest of 5 children. Her parents were jobbing actors who met during a play and quickly introduced Polley to acting when she was a child. Polley became a...

Reblogged from fuckyeahwomenfilmdirectors

fuckyeahwomenfilmdirectors:

Sarah Polley b. January 8, 1979

Polley was born in Toronto, the youngest of 5 children. Her parents were jobbing actors who met during a play and quickly introduced Polley to acting when she was a child. Polley became a child star in Canada while starring on the successful TV show Road to Avonlea. Nevertheless she was openly indifferent to acting, turning down opportunities to work on major projects in the U.S. Most notably she dropped out of the role of Penny Lane in Almost Famous to attend film school at the Canadian Film Centre for directing. Though she continued to act into adulthood, she eventually gave up acting professionally in part to focus on her writing and directing projects and in part due to the sexism and harassment she had experienced as an actress. Her last acting role was a small cameo role in the 2010 film Trigger.   

Polley made her directorial feature film debut in 2006 with Away From Her, an adaptation of an Alice Munro short story. She was nominated for an Oscar for Best Adapted Screenplay for her screenplay. 

Since then she has directed two other films: Take This Waltz, a semi-autobiographical movie starring Michelle Williams and the 2012 documentary Stories We Tell, a film about her discovery that her father, Michael Polley, was not actually her biological father and she was the result of an extramarital affair. 

Polley also produced and wrote the 2017 adaptation of Margaret Atwood’s Alias Grace. Though she had initially planned to direct a movie adaptation of the novel, the adaptation eventually took the form of a miniseries and Polley turned over directing to fellow Canadian Mary Harron. 

Reblogged from madmaudlingoes

scxrletwitches:

This joke isn’t about shaming that type of woman. This joke is not about that. Whatever kind of woman you are, you’re quiet, you’re fat, you’re small, you’re big, you’re tall, you’re loud, you don’t know much, you got a gill, whatever kind of woman you are… you are right. That’s it. Whatever you’ve chosen to be, whatever you wanna be, you are correct in being that as long as you are happy. My point to you is, if you are the shy type, if you are the wallflower, if you are the shrinking violet, if you are another… floral metaphor that has to do with being an introvert, my point to you is that you don’t want the guy who wants you because of that energy. A man who wants a woman because she looks scared… is a sexual predator. Okay? All these girls that he could hit on, he picks the one that’s like, shivering like a wet chihuahua. Like a nervous street urchin just in a corner putting out all kinds of “no” vibes. You don’t want the guy that walks up and is like “Excuse me. I couldn’t help but notice you looked terrified. Wanna see my dick?”

— Iliza Shlesinger, Elder Millenial A Netflix Comedy Special (2018)

Reblogged from rubyvroom

rubyvroom:

neoyorzapoteca:

“But what if some of us want to take our scars seriously? Maybe some of us haven’t gotten the highbrow-girl memo—haven’t gotten the text message from our boyfriends—about what counts as bathos. One man’s joke is another girl’s diary entry. One woman’s heartbreak is another woman’s essay. Maybe this bleeding ad nauseum is mass-produced and sounds ridiculous—Plug it up! Plug it up!—but maybe its business isn’t done. Woman is a pain that never goes away. Keep cutting me open; I’ll keep bleeding it out. Saving Leona Lewis means insisting that we never have the right to dismiss the trite or poorly worded or plainly ridiculous, the overused or overstated or strategically performed […] We shouldn’t have to turn every scar into a joke. We shouldn’t have to be witty or backtrack or second-guess ourselves when we say, this shit hurt. We shouldn’t have to disclaim—I know, I know, pain is old, other girls hurt—in order to defend ourselves from the old litany of charges: performative, pitiful, self-pitying, pity-hoarding, pity-mongering. The pain is what you make of it. You have to find something in it that yields. I understood my guiding imperative as: keep bleeding, but love.”

— Leslie Jamison, Grand Unified Theory of Female Pain

I’m dropping in the full essay link because it’s one of my all-time faves

Reblogged from drumsanddogtags

feministism:

image

Reblogged from theywhosawthedeep

shortforesmerelda:

“That’s blasphemy,” said the vampire. He gasped as Vimes shot him a glance like sunlight. “That’s what people say when the voiceless speak.”

Feet of Clay (Terry Pratchett)

I’ve been thinking about this quote a lot lately-

No. First I was thinking about another quote. From Carpe Jugulum: “Sin, young man, is when you treat people as things.”

(as an aside, I super love the follow-up line: “Oh, I’m sure there are worse crimes–” “But they starts with thinking about people as things.” But that’s not all that relevant)

I realized that that line sums up the core message of the Witches books. Take Witches Abroad. Lilith treats people as things. She doesn’t care who they are as people, she just forces them into the stories she thinks they should play out. Sir Terry basically hit us over the head with that point. But it applies to the other books. In Wyrd Sisters, Felmet is the villain because he doesn’t care for the kingdom. He sees Lancre and its people only as a means to get power. Even in Lords and Ladies, the elves’ evilness comes from the fact that they see humans as worthless, less than them.

So I started thinking if there was a quote that played a similar role for the Watch books, and I decided that it’s the one above. There’s a clear message in the Watch books about injustice, and seeing justice done for the voiceless. That much is obvious. But the link goes beyond that. There’s a trend in the Watch books for the villain to be someone who uses tradition, religion, the natural order of things, to justify injustice, painting anyone who disagrees with them as blasphemous. Edward, in Men at Arms, wants to return Ankh-Morpork from its disgusting egalitarianism to the good old days of gods-given monarchy. The dwarvish grags - well, do I need to say more? Blasphemy is what they call it when the voiceless speak.

The point is, Terry Pratchett was a damn good writer and I love the Witches and the Watch.

(via officiallordvetinari)

(Source: exceedinglyemily)

Reblogged from counterpunches

zombeesknees:

#can people stop hiring paul bettany to be ice cold and whispery  #and hire him again to be A HYPER CON ARTIST STAND-UP EMCEE AGAIN  #pls and thnk u

(Source: quietmidnights)

Reblogged from thursday

crowzley:

Meet Joe Black (1998)

(Source: crowzley)

image

I used to pull rose petals off my mother’s plants and eat them, when I was little. I feel like I’ve spent my life chasing that flavor. This is not a winner though, even just a few drops of rosewater in Dr Pepper just doesn’t work. It’s not bad in Coke. Doesn’t work in smoothies (not terrible in strawberry smoothies but not great, ok-ish in mango ones though). I feel like there has to be a drink I can make that’s very rose flavored, but I dunno what it is.

Reblogged from counterpunches

dogbosser:

gaiomon:

chelhathno:

sulegeo44:

Making Distressed Jeans

The technology for Terminators is already here and we wear it on our assess.

Literally all of this was unnecessary.

i load up 10 guns and shoot a sheet of denim into ultimate jeans

Reblogged from toooldforthisbutstill

agreyeyedgirl:

(via Mostly Paper Dolls: Lord Peter Wimsey’s Girlfriend)

This is brilliant and wonderful

(Source: mostlypaperdolls.blogspot.com)